I have long been interested in creating contemporary abstract forms incorporating Asian aesthetics and spirituality. My undergraduate work studying Chinese landscape painting had a particular emphasis on eccentric Zen painters. I was interested in their creative process and how it was born out of Buddhist and Taoist thought. After developing a basic proficiency in reading classical Chinese, I was able to read some of their original writings to gain insight into their work. Living in Taiwan in the late 70’s, I studied brush painting, calligraphy, seal engraving and scroll mounting. At that time, I relinquished my art history path and began to formulate a direction for my own artistic process.

In Seattle in the 80’s, my work consisted of abstract oil paintings, watercolors and pastel drawings concerned with the interplay of geometric patterns and diaphanous light. My sculptural forms utilized frosted sheets of glass suspended over acid etched mirrors. Their interaction played with projected light and the creation of abstract shadows. I participated in local shows, national competitions and created commission work for several local businesses.

Since the 90’s, I have worked professionally as a horticulturalist and garden designer where I apply my aesthetic sensibilities. Understanding the role of light, space, plant forms/textures and growth through time has added greatly to my artistic vision.

In 2011, I organized a show called ‘Contemplative Art’ which included several Seattle artists along with a daylong workshop with local writers David Guterson and Charles Johnson exploring the role of spiritual practice in the creative process.

My practice of exploring the poetic nature of light, perception, memory, and spirituality has led to my most recent work using color and space to create apertures of light to enhance contemplation and healing.